Friday, January 23, 2009

Why are we doing this to ourselves?

Last week, I spent some time with some colleagues and friends in ministry in another diocese directly north of us. They were complaining about some of the attitudes they encounter in their choirs: (We are lucky that we don't have these issues in our group, we have enough to deal with by ourselves!;)

One of them has Donna Diva, who is the world's foremost expert on everything that they are doing and is so old, she's sung it all, including new anthems and knows exactly how the composer intended it!

Another is dealing with the aftermath of a predecessor who decided to make his community by choosing 10 hymn tunes and setting all the musical texts to those 10 tunes and now that they have a new director who is actually picking current tunes, and actually using the texts with the tunes that were originally intended to go with the texts. Now the choir feels like they have taken a couple of leaps backwards, because they don't know those "new tunes" as well as they did those 10 tunes they sang everything to.

I heard one talk about how his choir only felt that chant and polyphonic motets and anthems that were at least 100 years old at the minimum were the only literature suitable for use in "the Divine Liturgy."

Like I said, we don't have these problems here. Over all, we have a pretty good understanding
that what we do each week is first and foremost prayer. Yes, the making of good music is vital to our prayer. (Remember, that quality doesn't equate with style.)

I want to share my goal for each of you as musicians and I know that I talked with the choir about this before Christmas, but it bears repeating:

Through the Eucharist, we become Christ in the breaking of the bread and the drinking of the cup. So, as we consume, we are transformed into Christ.

So, after you have become Christ, live as Christ.
Let each breath you breathe become the breath of Christ.
Let each word you speak and sing, become the voice of Christ.
Let each note you sing, become Christ's song.

This has important ramifications for us as musicians and as followers of Christ. We never know who will be in our presence in the liturgies we sing and pray. We don't know what they are dealing with, or what burden's they carry. All we can know is what we are dealing with in our own lives. Our unemployment, our workload, our family conflict and everything else that has come our way.

Be intentional in being aware of every thing you do, say, think, sing and pray. Be present in the moment and let the love of Christ we have so generously received shine through us and open yourself to being the vessel of Christ's love.

When I try to reflect on this, I have to ask the question using the text of an old Sacred Harp song: "How can I keep from singing?"


Thursday, January 15, 2009

Recording of the Crucifixus

Here is the YouTube recording I mentioned. Copy the link to your search engine's address bar. It will open onto a web video with a picture of Bach himeself on it. Hit the play button and listen away. I hope you enjoy!

http://www.youtube.com/watch?v=9BmB7vL6pNQ

Wednesday, January 14, 2009

Gauntlet has been tossed down.

Yes, the gauntlet has been tossed! I challenge you to pick it up.
The "Crucifixus" from the B minor Mass by Bach is regarded to be one of the most seminal pieces in the choral repertoire. There is so much material to discover, uncover and embrace in this piece that I am really looking forward to exploring this with you.
Let me recap some of the background of this piece from rehearsal tonight:
The "Crucifixus" is a portion of the Creed from the Mass. The text is translated as "crucified, died, and buried for us." This line of the Creed lies exactly in the center of the Creed and also exactly in the middle of the whole Mass. If you want to get philosophical and look for deeper meaning, this is also Bach's confirmation that this whole phrase is central to our faith and our life in Christ. Everything with Bach is intentional and this kind of symmetry is a great proof of the genius found in Bach. Here are some more things to blow your mind with Bach's brilliance.
The descending half steps in the motive represent the lament and despair we find in the Passion of our Lord. The bass part in the accompaniment use a melodic device that is known as a "Lament" motif. This motif also portrays our sorrow over this cruel death. The interval between the first entrances in each part is a "tritone" or an augmented fourth which in music theory represents imperfection and Bach uses this to show the utter wrongness (I know the gramaticians will have trouble with this word, but I can't think of a more appropriate phrase at midnight tonight....) of Christ having to die on the cross for us, being innocent of all sin and transgressions. When you listen to this on the recording you will receive, listen to the last phrase of the piece, this chord progression is absolutely astounding and mind blowing.
To help you learn the movement, I will be linking the youtube recording to the blog page, so you can listen to this piece and discover bits and pieces for yourselves.
Next week, Carmella will begin the introduction of this masterpiece to you during rehearsal. We will start with looking at notes bit by bit. Don't get frustrated when we don't add the text until much later this Spring.
I think we will really be able to pull this off, but we will have to work really hard and very slow and steady. We will only focus on a little bit at a time and then put it together piece by piece. I can't tell you how excited I am about us working on this. BTW, we will begin working on Easter music in the next couple of weeks. I hope each of you grow to love, respect and enjoy this work as much as I am.

Tuesday, January 13, 2009

Christmas Party

I know we are late, but hey! we've all been extremely busy. Our Epiphany party, which could easily be called the "I Survived Christmastide!" party. We will celebrate with all of the musicians at the Himel's house on January 31, 2009 starting at 6:30pm. Everyone will receive an invitation with the address on it soon. Hope to see you there.